The reverence for nature therefrom , cannot be disentangled from the very forces that were encroaching upon nature and destroying itFinally , disdain the role of landscape painting in the ownership and overtop of nature , we have identified a mighty cross-current of bionomical question built into the very enterprise of landscape painting This cross-current of inquiry interacted in certain ways with scientific interrogation , but it also broaden ed the scope of scientific inquiry and human! ized it . The painter s inquiry involvedClose , sustained observation of particular sites , from geology to botanyAn sufficient strain on the subjective experience of natural places , as active , changing environmentsA faith in the interrelatedness of quick things and natural systems , in other words , in the late idea of ecologySourceKirk Savage , University of Pittsburgh : The Case of 19th Century LandscapePainting...If you motivation to take a full essay, order it on our website: OrderCustomPaper.com
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