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Tuesday, March 26, 2019

Comparing the Violin to a Puzzle Essay -- comparison compare contrast

canvass the Violin to a PuzzleA violin can be compared to a puzzle. Each piece of the puzzle has a unique exercise in the outcome of the picture, or in this case, the overall sound. The pieces are brought unitedly by both the violins maker and its player. Just like a puzzle, diametrical persons, when given the same pieces probably will not put them in the same order. This fact accounts for the differences in the designs of master violinmakers and the tonal differences between players. To adduce Joseph Wechsberg, The tone is of course created by the violinist . . . the same violin compete by several violinists sounds different in the hands of each player, (45). In spite of the different interpretations of where the pieces should go, if any piece of the puzzle is missing or deformed, the puzzle wont fit together correctly. In order to determine whether or not the pieces are correctly assembled, it is necessary to understand the pieces and their functions.The violin consists of cardinal parts back and belly,two parts each, 6 ribs and wrong blocks, 12 inside linings, 24 purflings, 4 pegs and strings, and one each of bass bar, fingerboard, neck, scroll, nut, lower nut, tailpiece, loop, tailpiece button, nosepiece and soundpost (Bachmann, 58).The shape and design of the instrument is referred to as the model. The model not whole influences the appearance of the violin, but also its acoustic qualities. For the most part, the acoustical issuance is limited to the playability of the violin. For example, the shape of the shoulders influences the ease with which high positions, or notes, are contend (Curtin). The choice of wood also affects the violins acoustical properties. Traditionally, violin makers used spiffy and maple fr... ...r that the reader will be seduced by the violins siren song.Works CitedBachmpedia of the Violin. unseasoned York DaCapo, 1966. Curtin, Joseph. The Anatomy of a Violin. 16 March, 2003. <http//www.msen.com/violins/about/anatom y.html Gough, Colin. Science and the Stradivarius. Physics institution April 2000.<http//physicsweb.org/article/world/13/4/8/1/pw-13-04-09fig5 Ifshin Violins 25 March, 2003. <http//www.ifshinviolins.com/strings.html Hill, W. Henry, Arthur F. Hill, and Alfred E. Hill. Antonio Stradivari His Life and Work (1644-1737). New York Dover, 1963. Johannsson, Hans. 31 March, 2003. <http//www.centrum.is/hansi/construction/ Victor, Andrew. Bows Magic Wands. 25 March, 2003. <http//members.aol.com/bowedstrings.bows-magicwands.html Wechsberg, Joseph. The Glory of the Violin. New York Viking, 1973.

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