Feminine Transformation In Gilman’s “The Yellow Wallpaper” Essay

Fiction is very much used as a vehicle to convey radical ideas to readers. These ideas be usually reflected in the motives of the stories so that the clarity of tellion is more(prenominal) apparent. The theme of Charlotte Perkins Gilmans The jaundiced Wallpaper is quite unique in that it expresses feministic ideas in a seemingly ordinary situation. The Yellow Wallpaper is a account that reveals various truths about the cleaning cleaning lady and chronicles the feministic transformation of this fair sex towards modern womanhood.Gilman employs the original person perspective in her story to allow her unnamed booster amplifier to reveal elements of her emotions that would otherwisewise be concealed from the audience. The genius, along with her physician hubby and a certain Jenny move into a huge set up for the purpose of her recovery from an illness in the house the maintain assigns a room for the both of them which is a large room with distinctive sensationalistic c over all over the walls. The helper is then disturbed by the wallpaper and begins to derive images from it which in turn is used as a metaphor for her feministic transformation.The ear craftr part of the record reveals much about how the traditional woman actually is. The very first aspect of the traditional woman that one would easily notice from the text is a submissive tropelity. The lines, further John says if I feel so, I shall neglect proper pigheadedness so I take pains to control myself before him, at least, and that makes me very tired. (Gilman) illustrate how the protagonist neglects her accept feelings before her husband and this implies that if she prioritizes what her husband felt over what she felt, she was quite likely to do the same with other more menial things making her exceptionally submissive.Another aspect of the woman revealed in earlier parts of the tale is the feminine view on marriage. In the lines, John laughs at me, of course, but one expects tha t in marriage. (Gilman) the protagonist describes how her husband reacts to her when she complains about something weird in the house they were moving into. When the husband laughs, the protagonist concludes that this is normal when two people are married. In effect, the protagonist views marriage as an excuse for ridicule and the accompaniment that she is married to soul requires that she accept that ridicule as part of being married.This is a queer perception on the part of the protagonist but because of the submissive positioning of this main character it is not surprising that she should think this way. Other than this, her submission even affects her desire to bring through as she conceals her writing, hence, the protagonist admits, I did write for a while in spite of them but it does exhaust me a good deal (Gilman) because she had to write despite contradictions from her husband as this do her feel better.The decision of the protagonist to write expresses the protagon ists, struggle to gravel off the constraints of patriarchal society in order to be equal to(p) to write. (Thomas) So, in these first few parts, the author describes the current state of the protagonist, where Women were redact as emotional servants whose lives were dedicated to the welfare of home and family in the perservence of brotherly stability. (Thomas) In a way, the author even discreetly refers to the familiar inadequacies of the relationship by referring to a nailed-down bed in the lines, I lie here on this great immovable bed it is nailed down, I mean (Gilman)Eventually, as the protagonist focuses her attention on the yellow wallpaper and the fact that her husband insists that they do not change it despite pleas from the protagonist, she begins to see the wallpaper as something else reflecting the bondage that she experienced from being isolated and treated unsuitably by her husband. This is quite clear in the lines, Behind that outside simulatea woman stooping do wn and creeping about asshole that pattern. (Gilman) Here, the protagonist initially describes a woman apparently caged behind the wallpaper patterns.While this could be images within the protagonists mind, it definitely reflects how she feels being in the room and in her situation. This image of bondage is further amplified by the lines, At night in any kind of light vanquish of all by moonlight, it becomes bars The outside pattern I mean, and the woman behind it is as plain as can be. (Gilman) It is at this apex that the protagonist expresses an intrinsic feeling of bondage because she is not able to express it outwardly, and so, projects the feeling unto the wallpaper.This particular incident, is a reaction to the lack of free operation that women had in the late 1800s . (Gilbert) Soon, mean solar days before the last day the couple was to spend in the mansion, the protagonist breaks free and becomes a new, more liberal woman. This is implied in the lines, I pulled and she shook, I shook and she pulled, and before break of day we had peeled off yards of that paper (Gilman) which the protagonist used to describe her strip off the paper. During the motions she admits to aid the woman behind the patterns but indirectly, this implies that the woman she was helping was herself.The act, therefore, of tearing the wallpaper was parallel to waiver the woman behind the patterns, and so, freeing herself from her personal bondage. (Garcia) The protagonist, hence, went from being a traditional woman to a change state woman in her feminist transformation, even when the conclusions of the story seemed to imply that the protagonist had lost her mind because of the isolation, hence, the lines, Ive got out at last, said I, in spite of you and Jane. And Ive pulled off most of the paper, so you cant put me back (Gilman) where she had finally fused her own persona with the persona of the woman behind the patterns.Quite obviously, the textual evidence in this tale co nsistently describe the struggles of a woman from being the kind enslaved by a patriarchal society to someone who was able to express her own individuality, albeit, unconventionally. The story very clearly describes how one woman transformed step by step from being traditional to being the new or modern woman. ? whole kit Cited Garcia, Viola. Charlotte Perkins Gilmans The Yellow Wallpaper. fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. . Gilbert, Kelly.The Yellow Wallpaper An muniment of Emotions by Charlotte Perkins Gilman . fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. . Gilman, Charlotte Perkins. The Yellow Wallpaper. EastoftheWeb. com. N. p. , 2006. Web. 1 Aug. 2010. . Thomas, Deborah. The Changing Role of fair sex From True Woman to New Woman in Charlotte Perkins Gilmans The Yellow Wallpaper. fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. .