Cezanne, Lowry and Landscapes Essay -- Visual Arts Paintings Art

Cezanne, Lowry and LandscapesCezannePaul Cezanne, who was the son of a wealthy banker, became a painter inthe 1860s in Paris when he quit his studies of Law. By 1874 he waspainting landscapes in the Impressionist manner and had some of hiswork included in their first exhibition held during that very comparableyear. He painted in the Impressionistic manner, but sheared off in adifferent direction to the master(prenominal) body of Impressionist painters. Themain body of Impressionist painters were concerned with the fleetingeffects of light and colour, and in order to capture the surfaceimpression of that moment they had to work fluently and quickly. sanalysis was furthest more(prenominal) prolonged and pains-taking He spent so longanalysing his subjects that some of his work was never finished. beganto be more concerned with the use of colour in modelling objects andlandscape and as a way of expressing their underlying form. The basicideas of Cubism have been claimed to be present in his philosophy. Histheory was that the painter could always attain the c ace, the sphere andthe cylinder in Nature, and that all natural shapes were composed ofthese shapes at their most basic form. inherited sufficient wealth tolive in generative seclusion in Provence near Aix. He needed this solitudeor he found it difficult getting on with others being naturally indisposedat ease, neurotically sensitive and suffering from outbursts oftemper. His great contribution to art was to make Impressionism solidto restore the careful analysis of form and structure that pervadedthe onetime(a) masters but to combine this with an intensity of colour andharmony, full of personal expression. In his landscapes he showed adeep feeling for the force of nature in each sweeping line andchopping stroke of the brush, in the intense orange earth against theclear Provence skies.Always dissatisfied with his efforts, struggled unceasingly to revealthe truths of nature. He make many landscape painti ngs of the areawhere he lived and through them he achieved great success even in hisold age. Many of these landscapes like Route-Tournante pulse and glistering with his free and painstaking analysis. Part of the vitality ofthis picture lies in the loose and patchy technique The effect isparticularly striking in the subtle greenness of the trees and the subtleearth tones. Part of the interest ... ...riel Decamps, Charles-Emile Jacque, and other minorlandscape and animal painters - e.g Brascassat/Rosa Bonheur.During the second half of the nineteenth century, the school becamemore and more famous - the number of painters in the school alsoincreased.Barbizon was the name of the area in France where members of thisschool settled down to paint. Jean-Francois Millet, together withTheodore Rousseau, became the centre - the nucleus of the Barbizoncommunity, and the character reference point for all the other Barbizonners -the other members of the Barbizon school. Millet settled down inBar bizon in 1849.has often been described as the initiator of the Impressionistmovement, and indeed he did develop many of the ideas that we saw inthe movement as it developed. It could be said that Lowry paintedlandscape in an Impressionist fashion as well, as his pictures arepainted in such a way as to make the viewer aware of the messagebehind the picture rather than the authentic picture which has beendepicted using brushstrokes from a man of incredible painting skill. Apainting by has been included with this essay, along with areproduction of one of Lowrys pictures.